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Gandalf is inspired by Bertín Osborne’s great-uncle. The story of the Spanish priest who raised Tolkien and inspired part of The Lord of the Rings

After the death of the mother of JRR Tolkien, a priest born in Puerto de Santa María, in Cádiz, became legal guardian of the writer of The Lord of the Rings. Although he was known in Birmingham as Francis Xavier Morgan, the one who served as a guide, educator and, of course, also inspiration, he was actually the Spaniard Francisco Javier Morgan and Osborne.

If I’m talking to you about a tall and wise man dressed in a long cape, capable of scaring children with his presence and righteousness and then demonstrating that he was as endearing as he was imposing, under the context of The Lord of the rings You probably think of the wizard Gandalf, but I’m actually referring to Father Francis.

With a Welsh father and Spanish mother, and grandson of the founder of the Osborne Wineries, as a child he went to study in England where he was ordained a priest. It was there where he met Mabel Tolkien, who had been widowed shortly before and was suffering financial difficulties that meant she could not pay for the prestigious school her children attended. It was then that Father Francis welcomed them into his congregation so that the religious would be in charge of the education of both children: Hilary and John Ronald Reuel Tolkien.

JRR Tolkien’s legal guardian was Spanish

Shortly after that, Mabel Tolkien contracted severe diabetes that prevented her from leading a normal life and the priest found her two rooms in a country house in Rednal, south of Birmingham, where several assistants could look after her and the children. A beautiful retirement home in the English countryside that would later serve as Tolkien’s inspiration for the creation of Rivendell.

Due to the complexity of her situation, at the end of 1904 Mabel Tolkien died in Rednal assisted by Father Francis, whom she named legal guardian of his two children in his will. Francis Xavier Morgan would take care of his education and well-being, so he took them with him to his congregation to live together.

It was precisely in the priest’s library where Tolkien learned Spanish and, mixing his tutor’s original language with others, he shaped his first invented language: Naffarin (for Nazarene) which would later serve as the structure for the creation of Elvish.

Among those books he would also find other inspirations, such as Gollum’s famous riddle in The Hobbit, which is very similar to the one that appeared in Tales, Prayers, Riddles and Popular Sayings of Fernan Caballeropseudonym of the writer Cecilia Böhl who was the priest’s great aunt.

It was not the only thing that Father Francis contributed to Tolkien’s mythology with his education. It was thanks to his guidance and financial resources that he graduated with honors from Oxford and became a writer. It inspired his passion for travel, and in addition to that eternal parent-child relationship Among the characters, from Bilbo and Gandalf with Frodo, to the latter with Gollum, it would even be easy to relate the way of life of the hobbits with the tranquility and passion for the Cádiz festival that his tutor told him about.

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The secrets of Timothée Chalamet’s new Cartier necklace inspired by Dune


The close relationship that Timothée Chalamet maintains with Cartier allows him to have access to much more than the catalog of the most trendy watches on the planet. The Parisian jeweler has in fact made a habit of creating unique pieces for the actor’s appearances on the red carpet. In London, for the premiere of Dune: part twothe actor wore a dazzling custom necklace, imbued with the spirit of Arrakis.

Timothée Chalamet’s necklace – or his “creation,” as Cartier describes it – was designed under the artistic direction of the actor. The result is a jewel full of nods to Dune. Worn by the Franco-American actor during the London premiere with a look developed by his stylist Haider Ackermann, the necklace was designed to be modular, with pieces that Chalamet can rotate to show off the different combinations of the 900 (! ) sparkling stones embedded in it.

On one side of the rotating pieces, diamonds – orange, yellow and brown – pay homage to the desert terrain of Arrakis. But Cartier didn’t just keep using the same colors, that would have been too easy. The jeweler also set “inverted” diamonds, to create a spiky texture that mimics the bumpy topography of the planet Dune.

On the reverse of these sandy stones is a combination of blue sapphires and spinels intended to evoke the eyes of the Fremen tribe played by Timothée Chalamet in the film. (In Dune (ultra blue eyes are a side effect of ingesting “spices”.) And although it is not mentioned in the Cartier press release, the tubular design of the necklace does not fail to recall sandworms giants who lurk beneath the surface of Arrakis.

“Cartier designs have always been my go-to choice for important moments, and collaborating on this project has only strengthened that idea,” Chalamet announced in the press release. “I think Marie-Laure (Cérède, creative director of jewelry and watches at Cartier) and I found a way to evoke the desert and the harsh beauty of Dune in the Cartier style; it’s a wonderful contrast to the candy-colored enchantment of our first collaboration together.”