This article contains potential spoilers on Oppenheimer.
When the casting ofOppenheimer, the presence of Robert Downey Jr. was one of the most exciting pieces of information to come out of it. Not because the actor has become, thanks to his role as Tony Stark/Iron Man, one of the most popular celebrities on the planet, but above all because this arrival in Christopher Nolan’s cinema formalized the return of the New Yorkers to a more harsh and ambitious cinema. After more than a decade playing alpha males always on the right side of justice, the 58-year-old actor could finally do what he does best again: play unflattering, ambiguous and morally detestable characters. Needless to say, we no longer believed it.
In Oppenheimerthe 12th feature film by Christopher Nolan which has just been released in theaters, Robert Downey Jr. plays the role of Lewis Strauss, American businessman who became a leading politician in the mid-1950s. Appointed Acting Secretary of Commerce under the governance by Dwight D. Eisenhower in 1958, he embodied one of the most important figures in the development of nuclear energy in the late 1930s and early 1940s. In contact with renowned physicists like Ernest Lawrence (played by the ghost Josh Hartnett in the film) and J. Robert Oppenheimer (an immense Cillian Murphy), he sees in atomic weapons the opportunity to establish the position of strength of the United States in the great world chessboard against Russia . A position that the initiator of the Manhattan Project, who was at the origin of the first atomic bomb dropped on the cities of Hiroshima and Nagasaki in Japan on August 6 and 9, 1945, will not share, hoping on the contrary that its use will be curbed .
Christopher Nolan magnifies Robert Downey Jr.
Their disagreement, exposed in a scene of public humiliation from which Lewis Strauss never recovered, led to the disgrace of Robert Oppenheimer during a “security hearing” held in 1954 in Washington which accused the physicist of being complicit in the USSR because of its past ties with the Communist Party. Even if Oppenheimer is largely devoted to the man who will become “the father of the atomic bomb”, Christopher Nolan chooses, like his most notable films, to orchestrate an opposition. Two views on the world and on different real-life situations that the filmmaker distinguishes using an extremely simple process: the scenes told from Robert Oppenheimer’s point of view are in color, those seen through the eyes of Lewis Strauss in black and white.